Viktor and rolf flowerbomb

Viktor & Rolf

Dutch fashion house

Viktor & Rolf is a Dutch avant-garde luxury fashion house founded in by Viktor Horsting (born , Geldrop) and Rolf Snoeren (born , Dongen).[1] For more than twenty years, Viktor & Rolf have sought to challenge preconceptions of fashion and bridge the divide between fashion and art.[2] Viktor & Rolf have designed both haute couture and ready-to-wear collections.[3] The duo is renowned for their avant-garde designs, which rely heavily on theatrical and performative fashion runways.[4]

Background

Viktor Horsting and Rolf Snoeren first met while studying at the Arnhem Academy of Art and Design in [5] Upon graduation in , the pair began working together and relocated to Paris.[5] Initially, Viktor & Rolf were shunned by the fashion industry, however, the designers were received well[6] by the art world.[7] Art institutions such as the Groninger Museum began to acquire garments from the designers.[8]

Initial collections established the extravagant silhouettes, witty use of materials and irreverent concepts the designers would come to be known for.

In , Viktor & Rolf launched their company logo of a wax seal bearing the monogram V&R, and began to devote their artistic talent to ready-to-wear collections.[9]

In , the designers launched a menswear collection which co-existed alongside the women's line until [10] Viktor & Rolf also created perfumes;[11] the female fragrances Flowerbomb () and Bonbon (), along and the male fragrances Antidote () and Spicebomb ().[12] In , the designers halted ready-to-wear production and returned once more to haute couture citing that they wanted to "explore the limits of wearability, function and form."[13] In , Viktor & Rolf organized its first retrospective in China.[14]

Collections

The fashion company has created both ready-to-wear and haute couture fashion collections.

Below is a comprehensive anthology of all Viktor and Rolf collections.[15]

Early haute couture collections

  • Hyeres ()
  • L'Hiver de l'Amour ()
  • L'Apparence du Vide ()
  • Launch ()
  • First Couture (Spring/Summer )
  • Atomic Bomb (Autumn/Winter –99)
  • Black Light (Spring/Summer )
  • Russian Doll (Autumn/Winter –00)
  • Bells (Autumn/Winter –01)

Ready-to-wear

  • Stars & Stripes (Autumn/Winter –01)
  • There's no Business Like Show Business (Spring/Summer )
  • Black Hole (Autumn/Winter –02) (Content warning: blackface)
  • White (Spring/Summer )
  • Love Live the Immaterial (Bluescreen) (Autumn/Winter –03)
  • Flowers (Spring/Summer )
  • One Woman Show (Autumn/Winter –04)
  • 'Monsieur' (Autumn/Winter –4)
  • The Red Shoes (Spring/Summer )
  • The Hunt (Autumn/Winter –05)
  • 'Monsieur' (Autumn/Winter –05)
  • Flowerbomb (Spring/Summer )
  • 'Monsieur' (Spring/Summer )
  • Bedtime Story (Autumn/Winter –06)
  • 'Monsieur' (Autumn/Winter –06)
  • Upside Down (Spring/Summer )
  • 'Monsieur' (Spring/Summer )
  • Silver (Autumn/Winter –07)
  • 'Monsieur' (Autumn/Winter –07)
  • Ballroom (Spring/Summer )
  • 'Monsieur' (Spring/Summer )
  • The Fashion Show (Autumn/Winter –08)
  • 'Monsieur' (Autumn/Winter –08)
  • Harlequin (Spring/Summer )
  • 'Monsieur' (Spring/Summer )
  • NO (Autumn/Winter –09)
  • 'Monsieur' (Autumn )
  • 'Monsieur' (Spring )
  • Shalom (Spring/Summer )
  • Cutting Edge Couture (Spring/Summer )
  • Glamour Factory (Autumn/Winter –11)

Return to haute couture

After a thirteen-year hiatus from creating haute couture, Viktor & Rolf re-established themselves as with the Zen Garden (Autumn/Winter –14) collection.[16] Below are small summaries of Viktor & Rolf's most recent haute couture designs.[17]

Bonbon (Spring/Summer )

Interested in exploring the point at which skin and clothing meet, Viktor & Rolf created a collection of latex couture pieces titled Bonbon.[18] The fluid materiality of latex (not commonly used in high fashion) juxtaposed with the light colour palette resulted in an almost ethereal and angelic collection.

Viktor and rolf biography book Categories : establishments in the Netherlands Clothing brands of the Netherlands Companies based in Amsterdam Clothing companies established in Dutch brands Textile industry of the Netherlands Fashion accessory brands High fashion brands Luxury brands OTB Group mergers and acquisitions. The sheer number is a testament to the artistic value of their garments. Written by Saxony Dudbridge Saxony Dudbridge was one of the first contributors to the Catwalk Yourself project, Saxony studies International Fashion Marketing and she is responsible for our great History and Designers Biographies sections. Vileisis, Ann

The pieces were created seamlessly and designed to appear as a second skin. To depict an illusion of depth stylistic birds, bows and ribbons were hand painted onto the latex, in a trompe-l'œil technique.[18] The Bonbon collection was modelled by ballerinas en-pointe.

Red Carpet Dressing (Autumn/Winter –15)

Described as a "surrealist commentary", Viktor & Rolf's collection Red Carpet Dressing explored the reciprocal relationship between celebrity and designer.[19] The duo humorously exploited the concept of dressing for the red carpet by designing 22 couture gowns from red carpet.[19] Elegant high fashion pieces were made from unassuming rough and rigid carpet.

The designs incorporated animal skin patterns made from the same material and sewn onto the base.[19] The monochromatic palette gave primary focus to the design and pattern making techniques, which recalled primitive knotted constructions and classic couture styles.[19] Viktor & Rolf again used the haute couture platform to comment on the fashion industry and contemporary culture.

Van Gogh Girls (Spring/Summer )

The ideas of momentum and growth were of central importance in the haute couture collection. To visualise the central concept, Viktor & Rolf adopted the quintessential summer outfit of a floral sundress, flip flops and a straw dress, and transformed the imagery into three-dimensional sculptural pieces.

The collection escalated from a simplistic baby doll silhouette into extravagant couture pieces. Floral outlines evolved into three-dimensional fabric flowers, as simple straw hats extended laterally to connect with the pleated dresses. The evocative colours and black graphic outlines present throughout the garment collection were reminiscent of Dutch painter Vincent van Gogh, of whom the collection was aptly named after.

Van Gogh Girls is not only an exercise in exaggerating forms and imagery, but additionally showcased the close relationship between artists and fashion designers.

Wearable Art (Autumn/Winter –16)

The fluid link between art and fashion was perhaps most clearly portrayed with the Wearable Art haute couture collection.

Twenty models, dressed in simple denim artist's smocks, walked the runway draped in what appeared to be oil paintings.[13] Designed to mimic the imagery of classical paintings with gilded frames, the garments included cloaks, dresses and skirts.[13] Through painterly illusion and construction, Viktor & Rolf transformed framed paintings into haute couture garments, and then back to paintings.

During the display, the designers removed five of the garments from the models and hung them back on a white wall. The collection provoked public conversation as to the definition of art mediums.

Vagabonds (Autumn/Winter –17)

Vagabonds entwined recycling with haute couture.

Viktor and rolf biography Return to haute couture [ edit ]. Facebook 0 Pinterest 0 0 Likes. Spindler, Amy. Each outfit had to showings and of the second outing the stuffing was removed to reveal draped pieces.

Focused on conscious designing, Viktor & Rolf manifested a collection made entirely from discarded materials from their atelier.[20] Strips of fabric were braided, offshoots of tulle were sewn together, and buttons were clustered as embellishment. Overall the garments expressed the artistic possibilities of recycling.

The collection was described as "a wondrous feat of conflating rag rugs to riches."[21] Whilst still defined as haute couture, Vagabonds was noted to be a more wearable collection from the duo, offering the public a practical display of eco-friendly haute couture.[22]

Boulevard of Broken Dreams (Spring/Summer )

Imperfection was the central concept of Viktor & Rolf's most recent haute couture collection.

Recalling the message of recycling from the Vagabonds, Boulevard of Broken Dreams pairs contrasting patterned fabric with a fantastical and delicate colour palette. The recycled layers appear almost like shards of glass placed onto Viktor & Rolf's signature exaggerated couture forms. The designers chose to consciously exploit such imperfections, following the Japanese principle of Kintsugi by gilding faults and seams in gold.[23] The aesthetic and intention of the collection was summarised by critic Suzy Menkes: "The patchwork of grandeur was as pretty in its choice of colour as it was in the feminine shapes.

And if recycling could be this elegant, maybe it could draw more fashion people to the party."[23]

Exhibitions

Below is a comprehensive list of art exhibitions which have featured the work of Viktor & Rolf.

  • Viktor and rolf spicebomb
  • Viktor and rolf biography pdf
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    • The sheer number is a testament to the artistic value of their garments.

    • February–March: L'Hiver de l'Amour - Musée d 'Art Moderne de la Ville de Paris (group exhibition)
    • March: Le Cri néerlandais - Institut Néerlandais, Paris (group exhibition)

    • October: L'Apparence du Vide - Galerie Patricia Forfmann, Paris
    • December–January Collections - Galerie Analix, Geneva (group exhibition)

    • October: Launch - Torch Gallery, Amsterdam

    • April–May: Viktor & Rolf: Le Regard noir - Stedelijk Museum Bureau, Amsterdam

    • July–September: The First 25 - Colette, Paris (group exhibition)

    • April–May: Viktor & Rolf: 21st Century Boys - Aeroplastics Contemporary, Brussels
    • April -June: Visions of the Body: Fashion or Invisible Corset - The Kyoto Costume Institute, Japan (group exhibition)
    • May: Viktor & Rolf - Visionaire Gallery, New York
    • May–June: Creative Time in the Anchorage: Exposing Meaning in Fashion Through Presentation - Brooklyn Bridge Anchorage, New York (group exhibition)
    • June- October: Heaven: An Exhibition That Will Break Your Heart - Kunsthalle Düsseldorf, Germany (group exhibition)

    • November–March Viktor & Rolf Haute Couture - Groninger Museum, Groningen

    • March–May: Mohri Colour and Space Part 5 (Sayoko) - Kobe Fashion Museum, Japan (group exhibition)
    • September–November: YOKOHAMA International Triennale of Contemporary Art - Japan (group exhibition)

    • October–January Viktor & Rolf par Viktor & Rolf, première décennie - Musée de la Mode et du Textile, Paris

    • April–December: Fashion in Colours: Viktor & Rolf & KCI - The Kyoto Costume Institute, Japan
    • May–August: Goddess - ModeMuseum, Antwerp, Belgium (group exhibition)
    • June–September: Skin Tight: The Sensibility of the Flesh - Museum of Contemporary Art, Chicago (group exhibition)
    • September–January Spectres: When Fashion Turns Back - ModeMuseum, Antwerp, Belgium (group exhibition)
    • September–January Fashination - Moderna Museet, Stockholm (group exhibition)

    • September–December: Dutch at the Edge of Design: Fashion and Textiles from the Netherlands - The Museum at FIT, New York (group exhibition)

    • November–March Skin + Bones: Parallel Practices in Fashion and Architecture - The Museum of Contemporary Art, Los Angeles (group exhibition)
    • November–March Fashion Show: Paris Collections - Museum of Fine Arts, Boston (group exhibition)

    • May–September: Picture House - Belsay Hall, Northumberland, England (group exhibition)

    • June–September: The House of Viktor & Rolf - Barbican Art Gallery, London, England
    • November–February The House of Viktor & Rolf - Centraal Museum, Utrecht, The Netherlands

    • October–February Viktor & Rolf Fashion Artists - National Gallery of Victoria, Australia

    • May–September: Viktor & Rolf Fashion Artists 25 Years - Kunsthal, Rotterdam, The Netherlands

    • February–October: Viktor & Rolf Fashion Statements - Kunsthalle, Munich, Germany

    Literature

    • Thierry-Maxime Loriot (Editor): Viktor&Rolf.

      Fashion Statements. Hirmer Publishers, Munich , ISBN&#;

    References

    1. ^Templeton, Lily (). "Viktor & Rolf Couture Fall ". WWD. Retrieved
    2. ^"Revisit Viktor & Rolf's Wildest Wearable Art, Including Their Famous Portable Bed".

      W Magazine. Retrieved

    3. ^Convery, Stephanie (). "Viktor & Rolf: from Flowerbomb to a 70kg outfit – in pictures". the Guardian.

      Viktor and rolf spicebomb: In Renzo Rosso took over with a majority stake in the company. Viking Settlers in Greenland. Horsting, Viktor, and Artimo. Viktor Horsting b.

      ISSN&#; Retrieved

    4. ^"Viktor & Rolf make wearable art for the world's avant-garde". South China Morning Post. Retrieved
    5. ^ abEvans, Caroline and Susannah Frankel ().The House of Viktor & Rolf. Merrell Publishers. p
    6. ^Beckett, Kathleen ().

      "Fashion's Bridge to the Art World". The New York Times. ISSN&#; Retrieved

    7. ^"Viktor & Rolf". The Talks. Retrieved
    8. ^"The House of Viktor & Rolf | Yatzer". . Retrieved
    9. ^Evans, Caroline and Susannah Frankel ().The House of Viktor & Rolf.

      Merrell Publishers. p

    10. ^Evans, Caroline and Susannah Frankel ().The House of Viktor & Rolf. Merrell Publishers. p
    11. ^Hudson, Shawna (). "Finding a Signature Scent Is Hard, But This Brand Makes 6 I'd Never Get Sick Of". Who What Wear UK. Retrieved
    12. ^Evans, Caroline and Susannah Frankel ().The House of Viktor & Rolf.

      Merrell Publishers.

      Viktor and rolf biography wikipedia Spring Haute Couture: Viktor and Rolf photos. Vilenkin, Alex Alexander Vilenkin. By using pieces from almost all of their earlier collections, the duo wove their own fashion history in this collection. The same year an exhibition was presented celebrating their 15 year anniversary with key pieces from to made into miniatures on porcelain dolls, placed it a large doll house at the Barbican Art Gallery in London.

      p

    13. ^ abcLoriot, Thierry-Maxime (). Viktor & Rolf: Fashion Artists. National Gallery of Victoria. p
    14. ^Zhang, Tianwei (). "Viktor & Rolf Stages First Asian Retrospective in China's Shenzhen".

    15. Viktor and rolf l'oréal
    16. Are viktor and rolf a couple
    17. Viktor and rolf perfume
    18. Rolf snoeren
    19. Viktor and rolf clothing

      20. WWD. Retrieved

    20. ^Wei, Angela (). "Viktor & Rolf Proves There Are Many Ways to Wear a Ballgown". Fashionista. Retrieved
    21. ^Foreman, Liza (). "Viktor & Rolf Go Zen". The Daily Beast. Retrieved
    22. ^"Viktor & Rolf On Creating A Follow-Up To The Couture Collection That Won Instagram".

      British Vogue. Retrieved

    23. ^ abLoriot, Thierry-Maxime (). Viktor & Rolf: Fashion Artists.

      Viktor and rolf men References [ edit ]. Viking Settlements in Orkney and Shetland. Vilarrasa, Francis Sadoc. Article Talk.

      National Gallery of Victoria. p

    24. ^ abcdLoriot, Thierry-Maxime (). Viktor & Rolf: Fashion Artists. National Gallery of Victoria. p
    25. ^Loriot, Thierry-Maxime ().Viktor & Rolf: Fashion Artists.

      National Gallery of Victoria. p

    26. ^Verner, Amy (). "Fall Couture Viktor & Rolf", Vogue.
    27. ^Menkes, Suzy (). "#SuzyCouture: Gaultier Goes Green, Viktor & Rolf Recycle",Vogue
    28. ^ abMenkes, Suzy (). "#SuzyCouture: Viktor & Rolf- Gilding Broken Dreams", Vogue.

    External links

    Media related to Viktor & Rolf at Wikimedia Commons