Alonso berruguete biography of albert

Alonso berruguete biography of albert The malleability of wood allowed the sculptor to convey the intense and sometimes baroque tension seen in the twisted forms and sharp turns of his figures, such as "The Patriarch," "St. Berruguete was active initially in the Valladolid region, then later in Toledo. One of his first important works in this city was the main altarpiece of San Benito, which shows his vigorous realism with all its grandeur; it belongs to the National Museum of Sculpture in Valladolid, and today it is well restored, although it is exhibited dismembered and missing some elements. National Gallery of Art.

Alonso Berruguete (c)

 

To begin with he set up a workshop in Valladolid, hired a number of apprentices, and - it is said - charged prices to match his growing reputation. Spain was prospering and Berruguete reportedly was determined to be accorded the same respect as that enjoyed by Italian artists.

In due course, Berruguete built himself a palace in Valladolid, close by the monastery of S. Benito, for which he created one of his greatest altarpieces. He enjoyed an extremely lucrative career, and was ennobled in , some two years before his death, when the regent of Portugal, Princess Juana, gave him the village of Ventosa with its inhabitants.

Note About Art Evaluation
In order to appreciate important 3-D artists like the Spanish sculptor Alonso Berruguete, see: How to Appreciate Sculpture.

For later works, please see: How to Appreciate Modern Sculpture.

Sculptures by Alonso Berruguete

Berruguete was active initially in the Valladolid region, then later in Toledo. His best known works of Christian art include: the almost complete altarpiece for the monastery of La Mejorada, Olmedo (, now in Valladolid); altarpiece of S.

Benito (), now in Valladolid Museum; the altar of the Irish College in Salamanca (); the choir stalls in Toledo Cathedral (); the marble funeral monument to the Cardinal Archbishop Juan de Tavera at the hospital of St. John the Baptist, in Toledo (). Other works attributed to him can be found in Madrid (Palace of El Pardo), Arezzo, Uffizi Gallery Florence, Borghese Gallery Rome, Munich and Budapest.

Altarpieces

Berruguete's powerful cinquecento altarpieces typically spanned the entire apse of the church, being divided by a lavishly decorated architectural framework in which he placed his individual figures and relief panels.

Alonso berruguete biography of albert einstein The expressionism of Berreguate's sculpture, characterized by writhing, wailing, ecstatic figures, tortured drapery and brilliant colours, reflected the religious emotionalism of the age, and it is no surprise that he was succeeded in Toledo, from around , by the equally emotive artist El Greco The continuous and uninterrupted operation of the site relies on donations from generous readers like you. Exhibition at the Uffizi Gallery for the five Our only way to maintain this website is by serving a minimum ammount of ads Please disable your adblocker in order to continue.

In this way, he created a single dramatic spectacle of religious decoration, and above all, feeling. See for instance the emotion of Abraham and Isaac, or the suffering of St. Sebastian in the altarpiece of S. Benito. The expressionism of Berreguate's sculpture, characterized by writhing, wailing, ecstatic figures, tortured drapery and brilliant colours, reflected the religious emotionalism of the age, and it is no surprise that he was succeeded in Toledo, from around , by the equally emotive artist El Greco ().

Berruguete carved mainly in wood (painted and unpainted), as well as marble, alabaster and stone. It is believed that he carved and painted all figurative sculpture in polychromed-wood, but relied on his assistants to produce works like the alabaster Transfiguration in Toledo Cathedral () and also his last work, the monument to Cardinal Juan de Tavera.

Legacy

Berruguete's genius lay in his creation of a uniquely Spanish style of mannerist sculpture, expressing an uncontrollable passion and spiritual ecstasy which burns the soul of the spectator.